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After a progression of activity dramatizations including rowdies, we appear to be in for comedies highlighting rowdies, which change our silver screen's fixation on screw-ups. We as of late saw Naanum Rowdy Dhaan. Presently we have executive Sam Anton's Enakku Innoru Per Irukku. The film spins around the force recreations in Royapuram, where the adoptive parent is called "Naina." GV Prakash Kumar (wearing a facial hair that appears to weigh nearly as much as he does) plays Johnny, a young fellow with a fear that makes him solidify at seeing blood – not only the blood dribbling from a sickle that is simply cut up a man, additionally the blood on his mom's (Nirosha) finger after a trim while cutting vegetables. The film, all through, welcomes us to chuckle while we consider this inquiry: Can you see this man as a rambunctious, not to mention a contender for the adoptive parent, lording over every one of the rowdies in Royapuram? 

In that capacity, we're not intended to think about the plot. Else we'd begin making inquiries. Why does Johnny, at to begin with, choose to end up a minister, for goodness' sake? (Despite the fact that one must concede that turning into a Father is a stage up for GV Prakash Kumar. In his prior film, Trisha Illana Nayanthara, he was just keen on the arrangement of occasions that would make him a… father.) And simply like that, after setting eyes on Hema (Anandhi), he surrenders the thought? What's more, who is Husain Bhai? We get a strained arrangement where this man is killed, and it was brand new information to me that somebody named Husain Bhai existed. Thus, alongside plot, we're not intended to think about characters either. Alternately tone. We're in a parody, but we get the extraordinary scene of a man hacked to death. At any rate this man we thought about. He was there in several early scenes, however he vanishes for a long extend and returns just beyond words. 

Type: Comedy 

Executive: Sam Anton 

Thrown: GV Prakash Kumar, Anandhi, Yogi Babu 

Storyline: A meek adolescent must turn into a ganglord… 

Bottomline: Scattershot plot, however numerous muffles work 

In any case, the gathering of people around me – generally exceptionally youngsters who made me think, "Shouldn't you be getting worn out in your first day at school?" – didn't appear to mind. They thundered at the masturbation jokes. What's more, when Johnny called wedded ladies "post-paid" and murmured in alleviation that Hema was "paid ahead of time." (I'm appreciative they didn't run further with, say, a "top up" joke.) GV Prakash Kumar's reuse of his "virgin pasanga" line from Trisha Illana Nayanthara cut the rooftop down. Also, there were applauds at this piercingly women's activist crossroads. Before Hema, Johnny was seeing this young lady who cajoled him into purchasing her an iPhone, a Scooty. One day, she gives him a wedding welcome and calls him anna. Upon the arrival of her wedding, a companion asks the crushed Johnny for what reason the young lady dumped him. Johnny answers, "Adhaan machan ponnunga." Then he giggles a snicker that proposes life will go ahead as long he has his male companions. Why? Since, "Adhaan machan pasanga." If these movies are anything to pass by, the psyche of the normal Tamilian adolescent could be the setting for The Conjuring 3. 

Be that as it may, numerous muffles do work. I'm generally inclined toward jokes about cuckolded spouses. Also, the executive has shrewd thoughts. He positions the quest for the new back up parent as a reality diversion appear: Ungalil Yaar Adutha Naina? (Yogi Babu, as the emcee, is a mob. Karunas and VTV Ganesh are additionally in great structure.) And he punctures the grandiosity of a major battle scene by naming the groups "Kodambakkam Knight Riders" and "Vyasarpadi Challengers." But this craziness goes back and forth. What's more, for a comic drama focused at today's "childhood," there's to an extreme degree an excessive amount of sentimentality. I get the publications of Kaththi and Veera – you can make a film without a camera, even, however you can't get by without gestures to Vijay and Ajith. Be that as it may, what discloses the cap tips to MGR (Kannai nambaathey), Chandrababu (Kungumapoove) and Ilayaraja? At the point when Johnny is dumped, we get the foundation score from Aboorva Sagotharargal. At the point when a patriarch is expected dead, we get a grab of Thevar Magan's Vaanam thottu pona. Somebody ought to tell Shruti Haasan that her era still appears to favor Kamal Haasan.